Streetphilosophy

Can beauty make us happier? And what is the real power of beauty? A philosophical exploration hosted by Ronja von Rönne.

How does hope emerge? And what form does it take in art?

French artist Jaybo Monk lives and works in Berlin, where he dedicates himself to urban art and to supporting a charity for the blind

An exclusive look at photography from the GDR, a world that no longer exists.

After the fall of the Berlin Wall, East Germans had to get used to a new way of consuming, working, and living. 

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?