The World in Images

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

The great chef from Aveyron, Michel Bras, makes the most of his episode of Square by shining the spotlight on the life of André Valadier, a local farmer

The atmospheric sounds of Swedish band Fauna put the ESNS festival audience into a collective trance.

In the immense digital ocean, a myriad of aesthetic movements flourish and cross-pollinate.

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Drones are reshaping modern warfare in conflicts around the world.

The UN is in crisis as its Special Rapporteur accuses Israel of genocide in Gaza. Will Palestine be its downfall?

As the world heats up, cities around the world are responding to the challenges of climate change with fresh ideas.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?