Alarico

An electrifying duet from this pair in a stunning setting: The UNESCO World Heritage former coal mine at Zollverein.

A leading proponent of underground techno since the early 2000s and a major influence in electronic music in his native Spain since the early 1990s, Oscar Mulero performs in Stone Techno at the cavernous post-industrial space of the Zollverein near Essen.

SHDW and Stojche deliver a powerful, cutting-edge sound at Stone Techno 2025.

Deetron and Tasha offer audiences an experience that is as multifaceted as it is intoxicating.

Tune in for reggae, dancehall and afrobeats on the shores of Lake Fühlinger See, near Cologne, Germany.

With its gloomy songs, this band delivers the ideal soundtrack for a stroll in the depths of night.

Ana Frango Elétrico has emerged from the indie scene as the new figurehead of Brazilian groove.

Ronan Harris has been working on this project since 1990, laying the foundations for the pop of the future.

Tarta Relena takes a gentle stroll through futuristic sounds and traditional Catalan harmonies.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?