Pascal Rophé conducts Berio, Mahler and Gísladóttir

The Orchestre Philharmonique de Radio France joins forces with Quebec counter-alto Marie-Nicole Lemieux.

The Orchestre Philharmonique de Radio France performs a programme of French and Russian works with celebrated British conductor John Eliot Gardiner and acclaimed German violinist Isabelle Faust.

Orchestre Philharmonique de Radio France performs Saariaho’s Hush trumpet concerto with Verneri Pohjola as soloist.

Mozart's Flute Concerto No. 1 performed by Emmanuel Pahud and the Radio France Philharmonic Orchestra.

Mikhail Pletnev and the Orchestre Philharmonique de Radio France play Rachmaninov's piano concertos Nos. 1 and 2.

This rising star of French music returns to her album ‘La symphonie des éclairs,’ acccompanied by the Orchestre National de Lyon.

Portrait of a revered conductor and pioneer of historically informed performance, as he celebrates his eightieth birthday.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

A performance of Khatchaturian’s virtuosic violin concerto and Stravinsky’s ground-breaking The Rite of Spring.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?