Agree to Disagree!

Life on the frontline with a Ukrainian drone division feels like a strange and deadly video game.

Why do so many world maps place Europe at the centre? Why not Australia? And why is the north always at the top? 

To speed up deportations, the EU is set to authorise detention centres beyond its borders.

 Artists Satch Hoyt and Juan Covelli challenge colonial narratives and spark debate about the restitution of cultural artefacts.

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

Linked to obesity and diabetes, sugar may even have a lasting impact on our brains.

Children and young people look to adults as role models, usually their parents, but they also are influenced by their peers.

Why are friendships so important for children's personal development? And what do they mean in the digital world?

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?