42: The Answer to Almost Everything

How can we combat loneliness? Ronja von Rönne discovers new ways of living and experiences the power of togetherness while rowing.

Children are often afraid of the dark or of monsters under the bed. These fears are not only a natural part of their development, but also an opportunity to grow.

When the fear of illness becomes the illness.

Are we happier when we live a healthy life? Or does being happy make us healthy?

How does hope emerge? And what form does it take in art?

Absurd images have invaded our social media apps. But is this ‘brain rot’ an interesting aesthetic? Or just mindless content?

Ronja meets ex-player Kevin Pannewitz, who was kicked out of professional football due to lack of discipline

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Major disasters throughout history have helped to lower inequality. Is this still the case today?

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

With Keir Starmer ‘s resignation, British politics is still unstable after six prime ministers in the ten years since the Brexit vote.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?