ARTE Reportage

Since 1967 the German NGO Friedensdorf International has been bringing sick or injured children from around the world for treatment in Germany.

The generation born after Nelson Mandela came to power in 1994 struggles with poverty, but musical creativity gives hope.

Since Uganda passed extremely severe laws persecuting gay people, attacks on the LGBT+ community have skyrocketed.

Focus on the international struggle against child abuse which has flourished online.

Already a superstar across Africa, Dobet Gnahoré is now the ambassador for Afro-pop on the international scene.

A highly charged debate is ongoing in Latvia on the withdrawal from the Istanbul Convention, aimed at preventing violence against women.

Donald Trump has initiated a rollback on trans rights since taking office in January 2025. 

Fixer Ignace Ivlev-Yorke reports from a Ukrainian army unit on the frontline.

Pornographic deepfakes are among the most unsavoury aspects of AI. Data Sources investigates a worrying trend.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?