Nureyev

A dance retelling of Bach's masterpiece by German choreographer Sasha Waltz.

A choreography exploring the boundaries of touch and the relationship between men and women.

An encounter between dance and classical music led by the Compagnie Hervé Koubi.

A dance tribute to Carmen Amaya, a major yet forgotten figure in flamenco.

Vanessa Wagner performs Philip Glass’s Piano Etudes with dancers from the Accrorap company.

François Chaignaud takes us on a magical stroll through the medieval Louvre.

A brand new show from the Ballet Flamenco de Andalucía, the Accademia del Piacere and Fahmi Alqhai.

The last day of the competition means one thing: the final. Who will win the prestigious prizes on offer?

The first afternoon at the 54th Prix de Lausanne focuses on the 17-18 year-old candidates and the ballet classes. 

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Using the latest technology, researchers are discovering the bright colours of ancient Greek art and architecture.  

From queer cake sitting to sex positive tasting evenings, Tracks finds out about food and sexuality.

42-year-old Armen Grigoryan is the youngest barber in the timeless atmosphere of the oldest barbershop in Armenia.

In Romania, the Social Democrats joined forces with the far right to bring down the pro-European government. Elsewhere, certain mainstream parties are considering deals, or already cooperating, with parties seen as "radical".

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

How can we age well? Ronja von Rönne trys to find out by talking to chimney sweep Norbert Skrobek, who is close to retirement and Monika Gutte who defies age with a zest for life

Can infinity be defined? is it something that we can feel? And can we express it in a work of art?

A new generation of young people from urban areas is taking on the difficult job of producing food for the nation.

Ancient Greek statues are white, pure and classical, just like the marble they are carved from. False. These statues were painted in fabulous bright colours. Archaeologists and art academics have known this for centuries so why does the white myth endure?