An Exceptional Species

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

Be they mermaids or octopuses, artists are pushing the boundaries of species and challenging the place of human beings at the top. 

In France, in the Massif Central, Sarah Singla practices conservation agriculture.

Can three long covid sufferers find relief in new treatments in Cyprus?  

The Tate brothers have wide influence in the manosphere from their home in Romania.

The scale of our world tests the capacity of the human brain, which struggles to understand the vastness of the universe.

The probability of life existing nowhere else but on Earth is slim.

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

At the interspecies Olympic Games, human beings would lose out in almost every category to other species.

Marking the opening of the 60th edition of the Montreux Jazz Festival, RAYE invites a host of international pop stars to join her on stage for an evening of music.

Cologne, Autumn 1944: In the bombed-out city, a small group of young people put up armed resistance against the Nazi regime

Audio pornography leaves room for the imagination while arousing the listener with erotic stories

An odyssey through Iran in search of a lost father for one Tehrani teenager and her friends.

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Why do massive inequalities exist despite a global economy that has produced the most wealth in human history?

Art and nature with adventurer Lise Wortley, photographer Max Fischer, The Walk Productions and artist and runner Vincent Dogna.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

Some Paleolithic burials are exceptional. Dated around 25,000 BC, they are far more complex and decorative than we usually give the era credit for.

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?