42: The Answer to Almost Everything

Black holes can tell us a lot about the universe. But could they hold the key to understanding our world? 

Children and young people share their very personal experiences of their bodies and child psychologists and neurosciencists provide insights.

Ronja meets ex-player Kevin Pannewitz, who was kicked out of professional football due to lack of discipline

How can we live a happy life? And should we be pleased that our lives are short? Ronja von Rönne investigates the philosophy of happiness.

In a time when dating apps are dominating our desires, is there space for romantic love? 

Jagoda Marinić meets members of the Viennese culture scene and questions the limits of Austrian humour.

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

Linked to obesity and diabetes, sugar may even have a lasting impact on our brains.

Children and young people look to adults as role models, usually their parents, but they also are influenced by their peers.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?