42: The Answer to Almost Everything

As early as 2025, more tasks will be performed by robots and artificial intelligence than by human beings. 

Ex-footballer turned anti-poverty activist Neven Subotić discusses the books that changed his life.

How should we know which job to choose? And do dream jobs really make us happy? Ronja von Rönne investigates.

How does hope emerge? And what form does it take in art?

Does wealth make you happy? Or maybe true wealth is having nothing at all?

Children often experience their first feelings of love at nursery age.  What does it feel like for children? 

Linked to obesity and diabetes, sugar may even have a lasting impact on our brains.

Children and young people look to adults as role models, usually their parents, but they also are influenced by their peers.

Why are friendships so important for children's personal development? And what do they mean in the digital world?

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.