Ensemble Intercontemporain & Friends

Two internationally renowned conductors lead works by Boulez, Beethoven, Poulenc, Mussorgsky and Ravel.

The Radio France Philharmonic Orchestra combines repertoire and avant-garde for the Festival d'Automne in Paris.

Barbara Hannigan and the Orchestre Philharmonique de Radio France perform Stravinsky's Symphony of Psalms.

This rising star of French music returns to her album ‘La symphonie des éclairs,’ acccompanied by the Orchestre National de Lyon.

Portrait of a revered conductor and pioneer of historically informed performance, as he celebrates his eightieth birthday.

A concert filled with fervour from the neoclassical piano maestro.

The Analogues pore through the Beatles' discography to perform a few favourites at Salle Pleyel in Paris.

Schumann, Prokofiev and Mozart are on the programme with pianist Elisabeth Leonskaja as soloist, conducted by Iván Fischer.

A performance of Khatchaturian’s virtuosic violin concerto and Stravinsky’s ground-breaking The Rite of Spring.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?