An Exceptional Species

Be they mermaids or octopuses, artists are pushing the boundaries of species and challenging the place of human beings at the top. 

 Twist meets the singular people who dive into dange,r be they artists, scientists, climbers or photojournalists.

In this episode, we discover with the journalist Pierre Girard how cows can make the activity of a farm more respectful of nature.

Indonesia is the second largest producer of plastic waste in the sea with the situation set to get worse. 

How can you feed yourself self-sufficiently in the desert? An ancient superfood could hold the answer.

The scale of our world tests the capacity of the human brain, which struggles to understand the vastness of the universe.

Biodiversity is good for the environment but also for our taste buds.

Shipwrecks in the North Sea represent a serious threat to the environment and human life.

Corentin and Caroline explore cutting-edge low-tech solutions to meet their electricity and heating needs.

Our coverage continues for a second day with sets from Sepultura, Carach Angren, Rotting Christ, Malevolence and Sabaton.

Hellfest kicks off now! Day one of France's most famous heavy metal festival includes sets from Shelter and The Plot In You.

Another day in paradise for heavy metal fans with Obscura, Anthrax, Septicflesh and more.

How can we have more fulfilling sex? Ronja von Rönne meets couples and singles who have reinvented their sexuality.

Was everything better in the past? Twist meets nostalgia enthusiasts to find out.

Half a century into their metal career, Judas Priest deliver an epic concert of mighty riffs and pyrotechnics.

Once a year, the quiet city of Clisson is transformed into the European capital of metal.

Behind the glitzy facade of the World Cup... there's a darker side to the world of football.

With one of his paintings, Gerhard Richter made an intervention into a long-running an passionate debate: Which way round should you put the toilet roll?

It seems that scientist have proven that the enigmatic gaze of the Mona Lisa does not follow you as you move around the room. So why did we think that in the first place?